Category: Legacy stories

Ronald Hutton, Professor of History in Bristol’s Department of History, is a renowned and beloved academic and author of multiple books and publications. He is a leading authority on the history of the British Isles in the sixteenth and seventeenth centuries, on ancient and medieval paganism and magic, and on the global context of witchcraft beliefs.

Professor Hutton shares with us his views on Bristol, why it’s so important to him, and why he’s left a gift in his Will to the University. (more…)

Barrister Alastair Hodge (LLB 1996) is determined that those following in his footsteps will benefit from everything his Bristol education afforded him, by pledging a gift in his Will to the University.

Graduating with a degree in law & german, Alastair went on to take the Bar Vocational Course, followed by his one-year pupillage, and today is a successful barrister working in London. Alastair regularly returns to Bristol to speak to current law students and offer career advice, something he says he benefited from when he was a student. “If I derive a benefit from something I always try to give back,” says Alastair. “I love to see the enthusiasm of students when I come back to give talks, all those interested and expectant faces in the audience.” (more…)

With help from a generous bequest by the late Anthony John Edwards (BA 1952), the University Library’s Special Collections has acquired a beautiful manuscript leaf from a thirteenth-century Latin Bible. The manuscript almost certainly originated from Glastonbury Abbey, one of the greatest Benedictine monasteries in medieval England. Alumnus Mr Edwards was a History graduate who went on to become the first librarian of Canterbury Christ Church University.

Abbeys played a key role, alongside universities, in the growth of higher education in the thirteenth century and beyond and Glastonbury was especially famous for its vast library of books and manuscripts. When King Henry VIII ordered the dissolution of the abbey in 1539 and the execution of its Abbot on Glastonbury Tor, the library and its contents were destroyed, dispersed or sold.

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We are delighted with the announcement of Lucy Bell as the 2020 recipient of the Kevin Elyot Award for writer-in-residence at Bristol’s Theatre Collection. The award will support Lucy in creating a new dramatic work inspired by Elyot’s archive, which was donated to the Theatre Collection by his sister following his death in 2014. The archive comprises scripts, correspondence, manuscripts and publicity material, detailing Elyot’s working process from initial idea to finished product.

The Award is an annual award of £3,000 made in memory of Department of Theatre alumnus Kevin Elyot (1951-2014), and the influence he has had on writing and the arts. It has been generously funded by an endowment gift given to the University of Bristol by Kevin’s family.

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We are delighted to announce Erdem Avşar as the 2019 recipient of the Kevin Elyot Award for writer-in-residence at Bristol’s Theatre Collection.

Erdem Avşar is an international playwright, translator and lecturer who holds a master’s degree in Human Rights. His work as a playwright is political and often poetic in its language. He is fascinated with form and style and with the idea of queering dramatic realms and structures.

Erdem was selected to Royal Court Theatre’s International New Writing Scheme where he completed his play Dark Pink under the supervision of Zinnie Harris, Mark Ravenhill and Richard Twyman. His other political plays include his short play #occupylove (showcased at the Traverse Theatre as part of the TravNewTalents event Words, Words, Words), #politicsoftea (accepted to National Theatre of Scotland’s “Yes, No, Don’t Know” festival, co-curated by David Greig and David MacLennan) and The Contestant (opened at the Quartieri dell’Arte festival in Italy last year).

Erdem won the EU Collective Plays! International Playwriting Competition co-funded by the Creative Europe Programme. After a series of writing residencies in Italy, he wrote a polyvocal play, the Boy with Scar, in collaboration with three other playwrights. The play premiered at the 22nd Quartieri dell’Arte festival and it had a multinational cast and creatives from Italy, England, Northern Ireland, Turkey and Benin.

His translations of three Zinnie Harris plays premiered at DOT Theatre, Istanbul. His translation of Midwinter was listed in the 2017 Honours List of Eurodram – Network for Drama in Translation. He has recently won the University of Glasgow’s Lord Kelvin/Adam Smith PhD Scholarship for a research on queer theatre as political intervention. He is also a UNESCO RILA Affiliate Artist, a network of artists that work within the realm of refugee integration through languages and the arts. Erdem grew up in Istanbul and is based in Glasgow and Istanbul.

On receiving the good news from Jo Elsworth (Director: Theatre Collection, Faculty of Arts and Director of Cultural Collections – Secondment, Library Services) Erdem had this to say:

Thank you very much, once again, for this amazing news and I am grateful to everyone who considered my application worthy of this brilliant award. Sometimes a wonderful news gains even more significance. I am currently in Istanbul and it was heartbreaking to witness another Pride march being violently attacked last week. Since then I have been struggling to think of new ways of creating something that mattered, a work that could have an impact. And I must admit that things looked quite bleak. Then I received your phone call – a huge encouragement, excitement, and hope, that came at such a perfect time. I am absolutely delighted. I cannot wait to join you in Bristol and start discovering (and devouring!) Elyot’s materials in the archive.

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The Kevin Elyot Award is an annual award of £3,000 given to support a writer-in-residence at the University of Bristol Theatre Collection. It is made in memory of Kevin Elyot (1951-2014) – an alumnus of the University Drama Department – and the influence he has had on writing and the Arts. It is hoped that the award will enable a writer to be inspired by his work and help them develop their own practice. The Kevin Elyot Archive is held at the Theatre Collection, and comprises scripts, correspondence, manuscript and publicity material detailing Elyot’s working process from initial idea to finished product. The Theatre Collection is one of the world’s largest archives of British theatre history and Live Art and is an accredited museum and international research facility open to all.

The award has been generously funded by a gift given to the University by members of Kevin’s family. The award will support a promising writer, practitioner or scholar to begin the process of creating a new written work. The award holder will use the Kevin Elyot Archive as well as other holdings within the Theatre Collection to inspire a new dramatic work or other creative or academic outcome.